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A documentary covering the remastering process of first season of the horror anthology series that adapts internet horror stories into short, intercon...

In the age of YouTube, exhibitionism and voyeurism echo and reach a climax. The boundaries between private and public life are blurring. The intimacy...

It's a genius story that all started with a silly word, Google. While most may know Google, few know the story of the revolution's geniuses. Follow ma...

Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all t...

Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for ope...

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal gov...

From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varyi...

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A s...

From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to re...

This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotb...

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the int...

A cable system designed by controversial Chinese company Huawei Technologies enables communication between an expert and a machine. Time succumbs to s...

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours),it is the longest movie ever ma...

One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.